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Thursday, December 22, 2022
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Orion
Various theories associate the Orion constellation with Varaha; though the constellation is also associated with other deities. In autumn, Vishnu or Prajapati (the Sun) enters the southern hemisphere (equated with the netherworld or the ocean), while returns as Orion, the boar, on the spring equinox.
cloud, thunder and storm
Roy associates Varaha with the cloud, referring the Vedic etymology of varaha and similar to the Germanic association of the pig with "cloud, thunder and storm". The boar, as the cloud, ends the demon of summer or drought.
Sharabha
Another legend in the minor Purana named Kalika Purana also depicts the sectarian conflicts between the Vaishnava followers of Vishnu and the Shaiva sect of Shiva. Varaha lifts the sunken earth by piercing his tusk through her. He then assumes the form of the seven-hooded serpent Shesha (Ananta) and supports the earth on one of his hoods. Thereafter, Varaha and Bhudevi enjoy as Varaha and Varahi. They have three boar sons named Suvrtta, Kanaka, and Ghora. Varaha and his progeny create mayhem in the world. The gods go to Varaha to abandon his boar form. Vishnu requests Shiva to take the form of Sharabha (also called Varaha Shiva), to kill the body of Varaha and the three sources of havoc. The retinues of Sharabha and Varaha, aided by Narasimha, fight. In the war, Narasimha is killed by Sarabha. Thereafter, Varaha requests Sarabha to dismember him and create implements of sacrifice from his body parts; Sharabha complies by slaying Varaha
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Ancestor
In an instance in the Mahabharata after raising the earth, Vishnu as Varaha, shakes his tusk and three balls of mud fall in the South, which he declares as the three pindas (riceballs) to be given to the Pitrs (ancestors). Varaha's association with the three pindas is reiterated in later texts like the epic's appendix Harivamsa, the Vishnudharmottara Purana and the Brahma Purana.This tale constitutes the mythology of Pitr-yajna or Shraddha, sacrifice to the ancestors.
The Brahma Purana narrates about Varaha's deliverance of the Pitrs (manes). Once, the Pitrs lust for Urja (also known as Svadha and Koka), the daughter of the moon-god Chandra. Cursed by Chandra, the Pitrs fall as humans on the Himalayan mountains from their elevated positions, while Koka transforms into a river in the mountains. The demons attack the Pitrs, who hides under a slab in the Koka river. Eulogized by the Pitrs, Varaha uplifted the drowning Pitrs from the river by his tusks. Then, he performs the rites of Shraddha by performing libations and pindas to the Pitrs with the Earth acting as Chaya - his consort in the rituals. Varaha liberated the Pitrs from the curse and blessed Koka to be reborn as Svadha (the food or oblations offered to Pitrs) and become the wife of the Pitrs. Further, Narakasura (also called Bhauma) was born to the earth due to her contact with Varaha. Also, Varaha's temple was established at Kokamukha, where Varaha freed the Pitrs.[
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tusk
When the asura Hiranyaksha stole the earth and hid her in the primordial waters, Vishnu appeared as Varaha to rescue her. Varaha slew the asura, and retrieved the Earth from the ocean, lifting it on his tusks, and restored Bhudevi to her place in the universe.
The Yuddha Kanda book of the epic praises Rama (the hero of the epic, who is identified with Vishnu) as "the single-tusked boar",
in the Mahabharata, the single-tusked (Eka-shringa) Varaha (identified with Narayana-Vishnu) lifts the earth, which sinks under the burden of overpopulation when Vishnu assumes the duties of Yama (the god of Death) and death seizes on earth.
The Linga Purana continues further: Later, Vishnu discards his boar body and returns to his heavenly abode; the earth cannot bear the weight of his tusk. Shiva relieves the earth by using the same as an ornament.
Venkatacala
The Venkatacala Mahatmya and the first account in the Bhagavata Purana mentions only the rescue of the earth by Varaha, omitting the creation activities attributed to him in other texts. The Venkatacala Mahatmya states that Varaha placed beneath the earth the world elephants, the serpent Shesha and the world turtle as support. At his behest, Brahma creates various beings. The Bhagavata Purana alludes to the slaying of a demon - identified with Hiranyaksha in other narratives in the Purana.
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Brahmanda
rahmanda Purana and other texts, Varaha rose from the waters carrying the earth on his tusks and restored her on the waters, where she floated like a boat. Varaha flattened the earth and divided it into seven great portions by creating mountains.Further, Brahma, identified with Vishnu, creates natural features like mountains, rivers, oceans, various worlds as well as various beings.
https://freeglobaluniversity.blogspot.com/search/label/Brahmanandam
panegyric
the Vishnu Purana, the Matsya Purana, the Harivamsa and the Padma Purana contain a panegyric - dedicated to Varaha - and a plea of rescue by the earth.
How a Gigantic Pig-God Saved the World
The scriptures emphasize Varaha's gigantic size. The Brahmanda Purana, the Vayu Purana, the Matsya Purana, the Harivamsa and the Linga Purana describes Varaha as 10 yojanas (The range of a yojana is disputed and ranges between 6–15 kilometres (3.7–9.3 mi)) in width and a 1000 yojanas in height. He is large as a mountain and blazing like the sun. Dark like a rain cloud in complexion, his tusks are white, sharp and fearsome. His body is the size of the space between the earth and the sky. His thunderous roar is frightening. In one instance, his mane is so fiery and fearsome that Varuna, the god of the waters, requests Varaha to save him from it. Varaha complies and folds his mane.
represent
His [four] feet represent the Vedas (scriptures). His tusks represent sacrificial stakes. His teeth are offerings. His mouth is the altar, the tongue is the sacrificial fire. The hair on his head denotes the sacrificial grass. The eyes represent the day and night. The head represents the seat of all. The mane represents the hymns of the Vedas. His nostrils are the oblation. His joints represent the various ceremonies. The ears are said to indicate rites (voluntary and obligatory).
iconography
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